”If you’ve seen them before, you already know. And if you’ve never seen them, words won’t do them justice. Le Vent du Nord is one of the best bands touring today, no matter your musical taste” – SYRACUSE NEWS TIME
Mouth music and musical families. Deep history and playful innovation. Quebec’s Le Vent du Nord knows how to turn the lost past into intense and beautiful performances that push their roots in striking global directions. The group is blazing a path that connects their Québecois roots to the wider world, in both arrangements and on stage.
Considered a driving force in progressive folk, Le Vent du Nord captures the energy and mirth of a Saturday night kitchen party, infusing old Québec with a breath of fresh, cosmopolitan air.
Since its founding in 2002, Le Vent du Nord have become compelling Francophone ambassadors, winning critical acclaim and audience adoration across Europe, Oceania and America. The quartet has performed well over 1,600 concerts, racking up several prestigious awards, including a Grand Prix du Disque Charles Cros, two Junos (Canada’s Grammys), a Félix at ADISQ, a Canadian Folk Music Award, and “Artist of the Year” at the North American Folk Alliance Annual Gala.
The band delivers catchy songs and tunes, some taken from the Québec traditional folk repertoire while others are original compositions. The group has a rich and varied instrumentation, well-polished musical arrangements, and wonderful vocals.
In addition to their traditional repertoire, the group exhibits great finesse and flexibility, appearing regularly on Canadian, American, French, and UK television and radio, and participating in a wide variety of special musical projects. They’ve collaborated and performed with Harry Manx, Väsen, The Chieftains, Breton musical pioneer Yann-Fañch Kemener, Québecois roots legend and master storyteller Michel Faubert, hip Scottish folk band Breabach, the singer Julie Fowlis, and the trans-Mediterranean ensemble Constantinople.
Not content with standard approaches to tradition, Le Vent du Nord have also created a symphonic concert that “puts all traditional folk naysayers to shame” (Voir Montreal).