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Holiday Sing Highlights, hosted by Sally Potter
December 11, 2020-
January 1, 2021
From the Archives:
View lyric sheets here
For almost 20 years, the Ten Pound Fiddle has presented an annual Holiday Sing, produced and hosted by singer/ song leader, Sally Potter.
This archived recording is a mix of material included in the 2009 and 2011 Holiday Sings. Guest artists include musicians Doug Berch, Kitty Donohoe, Wanda Degen, Linda Abar, and poet Bob Rentchler. Special thanks to Matt Watroba for editing and hosting all of this season’s online programs.
For those who want to sing along with this recording, the following set lists can help singers find song lyrics via quick google searches.
This recording features a very special reading of Dylan Thomas’ “A Child’s Christmas in Wales,” read by the late Bob Rentchler, a superb interpreter of the written word. (48:00 – 59:07)
The Holiday Sing is an annual fund-raiser for the Ten Pound Fiddle. Click here to make a donation to the Ten Pound Fiddle. Below are also links that forward donations directly to this show’s participating musicians.
Holiday Sing Setlist
- Good King Wenceslas
- Children Go Where I Send Thee
- Hey Ho (Hungarian round)
- We Three Kings
- Winter Dark (poem by Kitty Donohoe)
- Holly and the Ivy
- Away in a Manger
- Dreidel Song
- Here Comes The Sun
- Let It Snow
- Jingle Bells
- Santa Clause is Coming to Town
- Rudolph the Red-Nosed Reindeer
- Up on the Housetop
- Frosty the Snowman
- I’ll Fly Away
— Very Short Intermission —
- Last Night I Had the Strangest Dream
- Silver Bells
- A Child’s Christmas in Wales (poem by Dylan Thomas, read by Bob Rentchler)
- The Gloucestershire Wassail
- Dona Nobis Pacem (round)
- Winter Wonderland
- Jolly Old Saint Nicholas
- Bring a Torch Jeanette, Isabella
- Julian of Norwich
- The First Noel
- Auld Lang Syne
Watch the New York Times video about community singing in Lansing and read the New York Times article.
Learn more about community singing at www.singingfestival.com.
When Sally Potter isn’t directing the Mid-Winter Singing Festival, the annual Holiday Sing, monthly Community Sings, or singing with Sistrum, The Greater Lansing’s Women’s Chorus, she is teaching Personal Finance to 150 seniors at Waverly High School, Lansing.
Sally’s grandmother, Lillian Paulson Potter was an opera singer, and later, a church choir director, producing countless community events over a fifty-year span. Her uncle, Brian Shanley, played Dixieland jazz clarinet with Bob Scoby in Chicago in the 50’s. Yet it was when her brother Tom taught her Old-Time tunes on his back-up banjo that Sally settled into the folk music world.
A mainstay in the Mid-Michigan folk music community since 1984, Sally was recently honored with a Lifetime Achievement Award from FARM, Folk Alliance Region Mid-West. From 1989 – 2001, Sally, Betsy Clinton and Pat Madden were members of the very popular folk trio, Second Opinion. In 2005, Sally released her fifth CD, this one together with Madden, entitled, “it’s about time.”
In 2003, Sally organized the first Mid-Winter Singing Festival, now an annual event where hundreds of people get together on the first weekend in February – just to sing. (www.singingfestival.com) Since then, she has continued to perform, song lead, and help produce numerous music events, including the annual Holiday Sing. She is also the volunteer concert booking manager for the 45 year-old Ten Pound Fiddle Concert and Dance Series.
Michigan Emmy award-winning songwriter Kitty Donohoe was born into a large, creative family outside of Detroit and has been ‘making up’ songs for as long as she can remember. Describing her music as ‘folky, bluesy, Irishy, American, Canadianish’, she draws from her roots to create music that is uniquely her own ~ music that’s ‘haunting, melodic and literate’ ~ All Music Guide. With a love of language, an innate sense of melody, and the soul of a storyteller, she backs herself on piano, guitar and cittern with equal finesse, but she sees these skills as mostly providing the foundation for the music she writes, both songs and instrumentals. ‘Kitty creates a glorious sound’ ~ Sing Out. Kitty’s latest CD, ‘The Irishman’s Daughter’, combines her original pieces with some traditional music and is getting great reviews. ‘Kitty is making a name for herself in Irish America and you can see why from the high quality of the work here.‘ Irish Music Magazine. Singing her songs with a ‘soaring voice’ (Victory Music Review) she often performs solo, but can ramp it up when joined by Canadian Len Wallace on accordion, Luke Panning on fiddle, or ‘uber multi-instrumentalist’ David Mosher on pretty much everything else. In 2002 Kitty was awarded an Emmy for her 9/11 song ‘There Are No Words’, which led to it’s use in a film and an appearance at the Pentagon for the dedication of the Pentagon 9/11 Memorial.
Wanda Degen is a professional folk musician with over 35 years experience, educating and entertaining audiences all over her home state of Michigan and as far away as Ireland, Norway, & Canada. Her appearances in the U.S. include Colorado, Illinois, Indiana, Kansas, Minnesota, Ohio, Pennsylvania, Virginia & Wisconsin. She was born and raised in the small town of Montague, Michigan, nestled along the shores of Lake Michigan, and moved to East Lansing to attend Michigan State University as a young woman. She has called the Lansing-area home ever since.
Wanda has performed in several “all-girl” groups over the years: Wanda & the Whippets, Lady of the Lake and The Troublesome Lasses. In the fall of 2013, Lady of the Lake celebrated their 30th anniversary with a reunion concert at the Ten Pound Fiddle Concert Series.
In early 2013, Wanda began a musical partnership with Kay Rinker O’Neil who adds guitar, flute & voice to Wanda’s dulcimers, autoharps & vocals. The duo is called The Catbird Seat and is known for their sweet harmonies and lively blending of ancient tunes & contemporary songs drawn from a repertoire of Celtic, Folk, Great Lakes, & early Pop music.
Wanda’s Tip Jar: Venmo @Wanda-Degen
Bringing passion and innovation to her career as a singer, songwriter and teacher, Linda Abar has found expression in a uniquely individual, stylized melding of her varied musical background. Linda agilely performs folk, jazz and classical, drawing imaginatively on elements of Celtic and New Age. The result is an intuitive blend of the varied music she has followed in her lifetime of study and performance.
As a music instructor, Linda has made many discoveries studying body mechanics through Alexander Technique, Yoga and Pilates. She teaches a natural way of singing that can be used for any musical style. Intuitive and innovative in her approach, she applies her individualized instruction to draw out the creative potential of each student, addressing the mental and emotional aspects of becoming an artist and performer.
Linda began offering voice lessons as a college student and eventually opened Howling Dogs Music Studio where she now offers private instruction. She a music specialist for the Montessori Children’s House of Lansing, and she has taught elementary music in Catholic schools. Many of her students have gone on to professional careers in music.